“REVIEW: Gorgeous Tyshawn Sorey and Thomas Adès concerto double-bill at Lucerne Festival” “…Sorey’s writing for the solo sax establishes whole another brand of virtuosity, one wrought of long lines, where each note is given its singular identity; a procedure akin to the playing of the concerto’s dedicatee as well as the tintinnabulations of...
“an absolute master of the saxophone, and a composer’s dream musician!”
“fantastic virtuosity and lyric beauty”
“City Noir is about process, not stasis…there was a prominent part for saxophone (played by the steady Timothy McAllister)…”
“John Corigliano’s ‘Triathlon’ with saxophone soloist Timothy McAllister was the finale and a knock out success…a commanding performance with the composer on hand to share in the ovation.”
“Your record [SCENA] is exceptional and the interpretation of Steady Study on the Boogie is maybe the best I have ever heard…Thank you for playing and teaching my music so brilliantly!”
“Timothy McAllister delivers unusually pure and sweet tone in the cadenzas of Rush, the alto saxophone concerto. Faletta shows a clear affinity throughout for Fuchs’s warm, spacious, neo-Romantic idiom, and the LSO responds with lush yet pristine playing.”