“…McAllister’s flexibility of sound, judicious use of vibrato, ease of altissimo, and tonal techniques make it possible to listen without distraction.”

Debra McKim The Saxophone Symposium

“The [Cabrillo Festival Opening] concert’s highlight concluded its first half: Jennifer Higdon’s Soprano Sax Concerto…and it was superbly realized by soloist Timothy McAllister…This work is a significant testament to beauty.”

Jeff Dunn San Francisco Classical Voice

“hypnotically swirling lines and propulsive rhythms…brilliantly performed by all concerned and recorded with life-like fidelity.”

FANFARE Magazine FANFARE Magazine

“expertly written for the brilliant Timothy McAllister, and the music has the infectious, irresistible energy [Adams] generates so convincingly…”

Andrew Clements The Guardian (UK) (6/4/14)

[Review: “LA Phil Brings ‘New World’ to Seoul”]
“Resplendent saxophone solos thrilled audiences throughout…”

Kwon Ji-youn The Korea Times (3/27/15)

“a mature, polished performer…whose dynamic and color contrasts enhance his ability to communicate - Bravo!”

Leone Buyse Former Associate Principal Flute, Boston Symphony Orchestra

“Creston explores a wide range of emotions and technical demands for the saxophonist throughout the piece. The saxophonist Timothy McAllister plays in all aspects in a more than satisfactory way. He is at his ease in the short, staccato notes but also delivers notable melodious lines in the second movement. The final movement introduces a lively and playful character, demonstrating Mr. McAllister’s agility and virtuosity well.”

Giorgio Koukl EarRelevant (December 2023)