“Timothy McAllister is both an agile soloist, easily surmounting any technical hurdles, and an expressive, communicative musician able to plumb the depths or scale the heights of these contemporary composers’ inspirations. His fellow musicians are equally accomplished; these renditions are finely honed collaborations between talented peers.”

R. Schulslaper FANFARE Magazine

“a highly engaging venture into the spirit of the riff, so to speak, without ever explicitly acknowledging the roots of that spirit in Bird’s solos…This recording is particularly satisfying, not only for the facility with which McAllister jumps through all of the hoops that Adams has created but also for the informed rhetorical context that Robertson establishes as conductor.”

Stephen Smoliar Stephen Smoliar, The Examiner (5/8/14)

“A tremendous saxophonist, McAllister played with great strength, bright tone, and excellent intonation—including the altissimo register—on all his horns…in the end Corigliano’s ‘Triathlon’ brought the house down in cheers for soloist, orchestra, and composer.”

George Grella New York Classical Review (6/5/22)

“Fuchs’s concerto, Rush, allows for some of the more rhapsodic style for the beautiful beginning movement which also sets up the primary material for the work. With excellent virtuosic writing, Fuchs shifts between jazz and classical worlds. Blues injections connect to the former while a later passacaglia blends the two worlds. McAllister is matched well for this work and makes it really shine from its gorgeous lyricism to its more exciting technical requirements.”

Stephen A. Kennedy Cinemusical (October 2018)

“Connesson knows how to be lyrical and expressive beyond the sentimentalism of John Adams. The audience, left breathless by the astounding virtuosity of Timothy McAllister, cheered on the composer who will see his work recorded for Deutsche Grammophon with the same performers.”

Bertrand Hainut DIAPASON Magazine (France)

[REVIEW: “The RLPO presents ‘Sax in the City’”] “This being an evening dedicated to the unsung sax, its foremost classical exponent, Timothy McAllister, had made the journey from the US to reprise his performance of John Adams’ new Saxophone Concerto…the work is jazz-infused, the spiralling solos giving McAllister the chance to showcase a wonderful musical agility…”

Catherine Jones The Liverpool Echo (UK) (11/27/14)

“fantastic virtuosity and lyric beauty”

John Corigliano Pulitzer Prize Laureate, Grammy, and Oscar-winning composer

Steven Mackey

A new concerto for alto saxophone and orchestra by Steven Mackey is coming for the 25/26 Season! For more information on booking or joining the consortium, contact Martha Woods (information below)!

Booking Information

Martha Woods
President
Jonathan Wentworth Associates Ltd.
6118 40th Avenue
Hyattsville, Maryland 20782-3012