“…a contrasting sense of solemnity followed…yet moving…”

Jeremy Eichler The New York Times

“…an extremely high level of musicianship and especially an incredibly dense interplay. What is astounding and only revealed once one reads the hype flyer is that the pieces are composed by just as many contemporary composers as there are tracks. Although styles move between aggressive and melodic, they strangely merge into a consistent whole.
Outstanding and really fun to listen to.”

Vital Weekly (November 2023)

[Critics’ Picks: Musical Must-Haves for your holiday list: John Adams, Saxophone Concerto, City Noir] “Adams conjures up the seductive yet dangerous swagger of postwar Los Angeles…McAllister, the virtuoso and stylistically nimble saxophonist, lights up this recording…”

Brian McCollum and Mark Stryker Detroit Free Press (12/14/14)

“…immense excellence…while the compositions themselves were reason enough to find great enjoyment in the presentation, it was the way that the duo played their respective instruments that enamored me…wholly in tune with the music, unbridled joy and passion.”

Aaron Barrow The Daily Mississippian (3/24/24)

“Adams wanted a sax sound associated with jazz performance…McAllister’s powerful performance does have a more ‘American’ sound, while the St. Louis Symphony achieves the intended fusion of bebop into its veins while maintaining a sense of clarity and conciseness throughout…vital, engaging performances by all involved”

Alexandra Gardner NewMusicBox (July 8, 2014)

[Review: “Albany Symphony, Cheng and McAllister in top form”]
To finish the evening, John Corigliano’s “Triathlon for Saxophonist and Orchestra” would be hard to beat. With Grammy-winning saxophonist Timothy McAllister as the star, the piece is not only a tour de force for the saxophone but also for the orchestra…the overall effect was buoyant, bold, funky, and very in-your-face confident.“

Geraldine Freedman The Daily Gazette (6/5/22)

[Review: “LA Phil Brings ‘New World’ to Seoul”]
“Resplendent saxophone solos thrilled audiences throughout…”

Kwon Ji-youn The Korea Times (3/27/15)

Vincent Ho

Whimsical Concerto of Fanciful Birds (2023)
I. Enchanted Migrations
II. Angels and Mockingbirds
III. Urban Birds

Premiered by Tim McAllister and the Saskatoon Symphony Orchestra, this concerto represents the culmination of the composer’s years of writing for saxophone, namely in the series “Whimsical Sketches of Fanciful Birds, Books 1-3” for alto saxophone and piano. This series are a collection of fifteen works that explore various bird-like or bird-inspired sounds that could be created on the saxophone instrument. After writing this collection (with the possibility of more to come), the inevitable next step was to adapt many of these musical ideas into a large-scale concerto. To fully capture the spirit of the avian world Ho envisioned, it was decided to score it for solo alto saxophone, orchestra, and spatialized saxophone ensemble–a collective of saxophonists placed in various areas of the concert hall surrounding the audience (eg. loges, balconies, aisles, etc) to serve as the “flock of birds” accompanying the soloist and orchestra while creating an immersive sonic experience for the audience.

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