“…immense excellence…while the compositions themselves were reason enough to find great enjoyment in the presentation, it was the way that the duo played their respective instruments that enamored me…wholly in tune with the music, unbridled joy and passion.”

Aaron Barrow The Daily Mississippian (3/24/24)

“The star of the show was the saxophonist Timothy McAllister, all pep and bounce and loose-limbed lyricism in John Adams’s 2013 Saxophone Concerto. It reads like a love letter to the giants of be-bop and swing, with orchestration as plush as a velvet banquette, honeyed harmonies from a choir of flutes and clarinets, and mirror-ball figures for celesta. At ease and alert, McAllister dazzled and crooned…an American dream of neon signage and slick city streets.”

Anna Picard The Times (UK) (9/7/14)

“Mead’s melodies are angular and supple, and McAllister renders them with a lyrical modern touch. Steady Study on the Boogie…is a fascinating piece, and McAllister plays it beautifully.”

Steve Hicken American Record Guide - Review of Scena

“City Noir is about process, not stasis…there was a prominent part for saxophone (played by the steady Timothy McAllister)…”

Arthur Kaptainis National Post (Toronto)

[REVIEW: John Adams leads Cleveland Orchestra in riveting program] “The three-movement quasi-concerto featuring saxophone soloist Timothy McAllister conjures the dark and mysterious Los Angeles of the 1940s and 50s…McAllister soared beautifully against strings, vibraphone, and solo horn.”

Kevin McLaughlin Cleveland Plain Dealer (April 2024)

“World-renowned saxophonist Timothy McAllister’s brilliant, crowd-pleasing performance was equal parts rock-star swagger and supremely polished musicianship”

Leonidas Lagrimas The Buffalo News (12/8/2019)

“[Glint] is a varied anthology of contemporary pieces…tangy, oxygen rich and kaleidoscopic.”

Rob Barnett MusicWeb-International (UK)

Vincent Ho

Whimsical Concerto of Fanciful Birds (2023)
I. Enchanted Migrations
II. Angels and Mockingbirds
III. Urban Birds

Premiered by Tim McAllister and the Saskatoon Symphony Orchestra, this concerto represents the culmination of the composer’s years of writing for saxophone, namely in the series “Whimsical Sketches of Fanciful Birds, Books 1-3” for alto saxophone and piano. This series are a collection of fifteen works that explore various bird-like or bird-inspired sounds that could be created on the saxophone instrument. After writing this collection (with the possibility of more to come), the inevitable next step was to adapt many of these musical ideas into a large-scale concerto. To fully capture the spirit of the avian world Ho envisioned, it was decided to score it for solo alto saxophone, orchestra, and spatialized saxophone ensemble–a collective of saxophonists placed in various areas of the concert hall surrounding the audience (eg. loges, balconies, aisles, etc) to serve as the “flock of birds” accompanying the soloist and orchestra while creating an immersive sonic experience for the audience.

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