2025
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Saxophone Concerto
Adolphus Hailstork
“The [Adams] concerto did not disappoint, with the orchestra joined on stage by American saxophonist Tim McAllister, whose jazz-style meanderings splendidly showcased the instrument’s power and agility in the first movement. The second and final movement saw an explosion of energy…McAllister remained supremely in control of the work’s demanding semiquaver passages; octave leaps were frequent and jarring”
“a fearless musician and risk taker…a one-of-a-kind artist the way Yo-Yo Ma is”
[REVIEW: “The RLPO presents ‘Sax in the City’”] “This being an evening dedicated to the unsung sax, its foremost classical exponent, Timothy McAllister, had made the journey from the US to reprise his performance of John Adams’ new Saxophone Concerto…the work is jazz-infused, the spiralling solos giving McAllister the chance to showcase a wonderful musical agility…”
“Certainly this is a virtuosic piece, designed to test the limits of the soloist for whom it was written, Tim McAllister, who showed his technical chops and his expressive musicianship with a piece that had his instrument now noodling thoughtfully, now dashing in crazy, frenetic runs up and down the scale…”
“Handling the extensive saxophone solos was guest musician Timothy McAllister, who performed the work’s world premiere and who was brought in at Adams’ request. Although seated in the middle of the orchestra, he stood for the solos and played the jazz-inspired riffs in a nervy, improvisatory style, a highlight of what was a fine performance.”
“Couched in Adams’ latter-day style in which fractured rhythms and thematic units exist within a potent stream of pulsation, the Saxophone Concerto also draws upon jazz influences, its soloist tumbling this way and that in pseudo-improvisatory vein…McAllister, a phenomenal technician, played it all smoothly, with classical restraint…Robertson and the St. Louis Symphony excelled in the mysteriously dappled, feinting and jabbing accompaniment.”
“…the world premiere of his new saxophone concerto was, therefore, a very special moment indeed. John Adams’ saxophone concerto is written for classical saxophonist Timothy McAllister. He gave an astonishing performance. Adams has thrown down the gauntlet with a solo line which demands speed, flexibility, musicality and, above all, stamina to keep going with barely a bar’s rest. McAllister delivered, punching out the “nervous bebop” sound (Adams’ description) with manic intensity, like a...